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      <image:caption>Catalogue spread, Looking Through a Hole in the Earth (7 February-22 March 2020), Burnaby Art Gallery, Burnaby BC. Photo: Blaine Campbell</image:caption>
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      <image:caption>Catalogue spread, Looking Through a Hole in the Earth (7 February-22 March 2020), Burnaby Art Gallery, Burnaby BC. Photo: Blaine Campbell</image:caption>
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      <image:caption>Catalogue spread, Looking Through a Hole in the Earth (7 February-22 March 2020), Burnaby Art Gallery, Burnaby BC. Photo: Blaine Campbell</image:caption>
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      <image:caption>Language for the Wrack Zone | Bitumen, seawater and gouache on paper | 30” x 44” each | Installation view, Looking Through a Hole in the Earth (7 February-22 March 2020), Burnaby Art Gallery, Burnaby BC. Photo: Blaine Campbell</image:caption>
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      <image:caption>Catalogue spread, Looking Through a Hole in the Earth (7 February-22 March 2020), Burnaby Art Gallery, Burnaby BC. Photo: Blaine Campbell</image:caption>
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      <image:caption>Carbon Study: Walking in the Dark | Found coal, graphite and forest-fire derived charcoal on paper | 30” x 44” each | Installation view, Looking Through a Hole in the Earth (7 February-22 March 2020), Burnaby Art Gallery, Burnaby BC. Photo: Blaine Campbell</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.genevieverobertson.com/work-avenue</loc>
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    <lastmod>2025-10-14</lastmod>
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      <image:title>projects</image:title>
      <image:caption>North Arm, Fraser River | video still | 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1468972564713-9LV7NFVQFCVTGYH5TJCB/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>Mitchell Island, Fraser River | video still | 2015</image:caption>
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      <image:title>projects</image:title>
      <image:caption>Installation view of If the river ran upwards (2018). Walter Phillips Gallery, Banff Centre for Arts and Creativity. Photo by Brittany Lucas.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1468974080687-09NXYQIUQ5IK9E9FJIYC/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>River Drawing 11 | Gouache, pencil, river water, found charcoal and river sediment on paper | 24 X 18" | 2015</image:caption>
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      <image:title>projects</image:title>
      <image:caption>Dc3Art Projects, Edmonton AB | 2016</image:caption>
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      <image:title>projects</image:title>
      <image:caption>Installation view of If the river ran upwards (2018). Walter Phillips Gallery, Banff Centre for Arts and Creativity. Photo by Jessica Wittman. Featuring the work of Carolina Caycedo.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1468973985870-B5DEBCDOZ4CAGYN301RU/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>River Drawing 04 | Gouache, pencil, river water, found charcoal and river sediment on paper | 24 x 18" | 2015</image:caption>
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      <image:title>projects</image:title>
      <image:caption>Matsqui, Fraser River | video still | 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1468973947893-ED88E9TUA8PCJN3IK8SQ/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>River Drawing 02 | Gouache, pencil, river water, found charcoal and river sediment on paper | 24 x 18 " | 2015</image:caption>
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      <image:title>projects</image:title>
      <image:caption>Matsqui, Fraser River | video still | 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1468974044208-W00UQBGO3BX2JEPNWS92/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>River Drawing 07 | Gouache, pencil, river water, found charcoal and river sediment on paper | 24 x 18" | 2015</image:caption>
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      <image:title>projects</image:title>
      <image:caption>Watchers #2, archival digital print on rag paper (from pinhole photograph negative), various sizes, 2015</image:caption>
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      <image:title>projects</image:title>
      <image:caption>Watchers #4, archival digital print on rag paper (from pinhole photograph negative), various sizes, 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/f56d3e92-7334-4ca1-8fb1-07dec49b0bd2/watchers3.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Watchers #3, archival digital print on rag paper (from pinhole photograph negative), various sizes, 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1469057356455-IBDI9HKVB24X0EHBR5IU/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>Watchers #1, archival digital print on rag paper (from pinhole photograph negative), various sizes, 2015</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1469058076487-57RDRJCJNI08A96FIXYJ/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>Pinhole camera along the proposed Kinder Morgan pipeline, 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1500947518838-YRLVFW5YLMUFWMYX33UK/IMG_1226.jpg</image:loc>
      <image:title>projects</image:title>
      <image:caption>The Studio | 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1492382769477-U3ULE1HHPQJRKHZQD53V/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>Straw-bale and timber frame studio | 2017 (photo credit: Peter von Tiesenhausen)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1492383242589-R6M7X34QD2QBF5KBFUVU/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>Weeding and harvesting in the vegetable garden | 2016 (photo credit: Laurie MacInroy)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1492383423662-AO0CVJVYTUP7X4A0NFVB/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>Feeding the wood fired kiln | 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1500947356194-62K1CS5YCOZEM5D3A3P7/14_Common+Opulence.jpg</image:loc>
      <image:title>projects</image:title>
      <image:caption>Constructing the Bridge for Tim and Linda | 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1b7130f7-1497-47e4-81ee-5b9e65ed57b3/KAG+Luminosity_web+resized.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Installation View, Luminocity (14 - 21 October, 2023) at the Kamloops Art Gallery, Kamloops B.C. Photo: Frank Luca</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1501013335208-Z11D6LHQ0QHODSNI56GC/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>Columbia's Source, Canal Flats BC | Video Still | 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1501013290120-0H8LX9SVQAASI7K24TWF/image-asset.jpeg</image:loc>
      <image:title>projects</image:title>
      <image:caption>Upper Arrow Reservoir, BC | Video Still | 2017</image:caption>
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      <image:caption>Wells Dam, WA | Video Still | 2017</image:caption>
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      <image:caption>Burton Townsite, Arrow Lakes Reservoir, BC | Video Still | 2017</image:caption>
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      <image:caption>Video Still from Underwater | 2017</image:caption>
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      <image:caption>Duncan Dam and Reservoir, BC | Video Still | 2017</image:caption>
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      <image:caption>John Day Dam, WA | Video Still | 2017</image:caption>
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      <image:caption>McNarry Dam, WA | Video Still | 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1577421156092-LZNTJ018NULVZZNNQICA/Belkin_spill_final_performance_23.jpg</image:loc>
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      <image:caption>Installation view | Still Running Water | Jelena Markovic and Stephanie Bueno, con mi abuela / kod dede, October 22, 2109 as part of Spill: Response at the Morris and Helen Belkin Art Gallery, University of British Columbia. Photo: Rachel Topham Photography</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1623357297827-6RO1L4STEYCJKIGA4Q69/20210423_An+Exercise+in+Listening_Two+Rivers+Gallery+%283%29.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Still Running Water, 2019. Installation view, An Exercise in Listening (April 23 - July 4, 2021), at Two Rivers Gallery, Prince George BC. Photo: D. Rigo Media</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1577420801291-A2OE18YLHD4C8EHVXN3I/Belkin_Spill_4.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1623357092434-KIL26YEUUJ77HYLJ8G8C/20210423_An+Exercise+in+Listening_Two+Rivers+Gallery+%287%29.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Installation view, An Exercise in Listening (April 23 - July 4, 2021), at Two Rivers Gallery, Prince George BC. Photo: D. Rigo Media</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1577420877697-K6AL9X4LL4ASVRZACMT6/Belkin_Spill_2.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1623357723887-9U3ZL38UCHZ9533LP0R8/20210423_An+Exercise+in+Listening_Two+Rivers+Gallery+%2837%29+%281%29.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Alluvial Fan | silt from the Columbia River’s Rosevelt, McNarry, and Wanapum reservoirs on paper | 120” x 180” | 2019. Installation view, An Exercise in Listening (April 23 - July 4, 2021), at Two Rivers Gallery, Prince George BC. Photo: D. Rigo Media</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1623265512827-JSXLCBE3H4IRRZ6N6OP4/05_Wallace_Photomicrograph1.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Nelson Batholith, Photomicrograph research collected by Carol Wallace,Courtesy of Dr. Derek Thorkelson (photomicrograph photographer), Department of Earth Sciences, Simon Fraser University and Dr J.H. Sevigny, 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1623265327817-KDP4RWARNPTYF3BO9X95/02_Sealed+Dam_GEscobarAri.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Sealed Dam, Gabriela Escobar Ari, Aerial Photograph, Archival pigment print, 24” x 14”, 2019</image:caption>
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      <image:caption>Rock Piece (Ahuriri Edition), Asinnajaq, video still of performance, 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1623265205444-AQZYY7NGICK6HARW0DHL/01_PermafrostTunnel_TNicholson.jpg</image:loc>
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      <image:caption>Permafrost Tunnel, Melnikov Permafrost Institute, Yakutsk, Russia, Tara Nicholson, Archival pigment print, 32” x 40”, 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1623266285374-CWYRM8UQDVA02PO9TH3C/Overburden+Poster_2021+small.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/36f4b0ba-2988-4de5-a52c-49a126259e69/meniscus_02.jpg</image:loc>
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      <image:caption>Genevieve Robertson, Meniscus, video still, digital video, 2:36, 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/84ce02ab-b23a-4db3-a289-2eb2dc6cedd7/Copy+of+01_Love+Letter+to+Water+see+image+info.jpeg</image:loc>
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      <image:caption>Process material, Letters to Water, Kootenay River, sn̓ʕay̓ckstx Sinixt Confederacy Arrow Lakes and Yaqan Nukiy Lower Kootenay Band territory, 2021, Photo: Jim Holyoak</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/e1f25dbc-ea22-4aef-8a9a-dc173db3c628/DSC_9818-scaled.jpg</image:loc>
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      <image:caption>Alana Bartol and Genevieve Robertson, Letters to Water, 2021-2022, six water barrels, water, dissolving paper, pencils, willow wands. Installation documentation, Salt-Stained Streaks of a Worthwhile Grief – Fathom Sounds Collective, Comox Valley Art Gallery, 2022, photo: Alun Macanulty. Invitation “Remember you are water. Of course you leave salt trails. Of course you are crying. Flow. P.S. If there happens to be a multitude of griefs upon you, individual and collective, or fast and slow, or small and large, add equal parts of these considerations: that the broken heart can cover more territory. that perhaps love can only be as large as grief demands. that grief is the growing up of the heart that bursts boundaries like an old skin or a finished life. that grief is gratitude. that water seeks scale, that even your tears seek the recognition of community. that the heart is a front line and the fight is to feel in a world of distraction. that death might be the only freedom. that your grief is a worthwhile use of your time. that your body will feel only as much as it is able to. that the ones you grieve may be grieving you. that the sacred comes from the limitations. that you are excellent at loving.” —adrienne maree brown, Emergent Strategy: Shaping Change, Changing Worlds “You know, they straightened out the Mississippi River in places to make room for houses &amp; liveable acreage. Occasionally the river floods these places. ‘Floods’ is the word they use, but in fact it is not flooding; it is remembering. Remembering where it used to be. All water has a perfect memory and is forever trying to get back to where it was.” —Toni Morrison, The Site of Memory The artworks in Salt Stained-Streaks of a Worthwhile Grief are our love letters to water. Many of the works in the exhibition evoke the past, present, and possible futures for relationships with water, between water and plants, water and trees, water and contaminants, water and humans, water and wildlife, water, and the other elements. We invite you to take a moment to reflect on your relationship with water by writing a letter to water. Think about the quotes by adrienne maree brown and Toni Morrison before you write your letter. What do you want to express? What memories do you want to share? What does water remember? How has your relationship with water developed and changed over time? Write a letter to water on the water-soluble paper provided Letters can take the form of drawings, writing, poems, text, or other forms of mark-making Give your letter to water by placing it in one of the rain barrels Watch it dissolve As the materials break down, What do you see? What do you feel? A willow wand can be used to stir the water, helping the water receive your letter</image:caption>
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      <image:title>projects - Make it stand out</image:title>
      <image:caption>Alana Bartol and Genevieve Robertson, Letters to Water, 2021-2022, six water barrels, water, dissolving paper, pencils, willow wands. Installation documentation, Salt-Stained Streaks of a Worthwhile Grief – Fathom Sounds Collective, Comox Valley Art Gallery. Photo: Alana Bartol</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/f86a225e-74c4-4673-b429-d7f6e84e5d52/Screen+Shot+2023-08-11+at+9.17.42+PM.png</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Alana Bartol and Genevieve Robertson, Letters to Water, Salt-Stained Streaks of a Worthwhile Grief, Comox Valley Art Gallery, 2022. Photo: Alana Bartol</image:caption>
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      <image:caption>Letters to Water, Interactive Installation documentation, Salt-Stained Streaks of a Worthwhile Grief – Fathom Sounds Collective, Comox Valley Art Gallery, 2022. Photo: Kim Holmes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/f2f64504-9afd-4d33-bca4-7147edfa370c/meniscus_03.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Genevieve Robertson, Meniscus, video still, digital video, 2:36, 2021 Meniscus was made by lighting a fire on the surface of water and filming with an underwater camera from underneath. It records combustion across a water surface, one potential effect of a liquified natural gas (LNG) tanker spill in Átl’ka7tsem (also known as Howe Sound).</image:caption>
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      <image:title>projects - Make it stand out</image:title>
      <image:caption>Genevieve Robertson, Meniscus, video still, digital video, 2:36, 2021</image:caption>
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      <image:caption>Salt-Stained Streaks of a Worthwhile Grief, Outdoor Installation View, Fathom Sounds Collective, Comox Valley Art Gallery, 2022, Photo: Alun Macanulty</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1633048667171-AR12OQNVJQBBTE1NYXCV/03_Field+Research+at+Woodfibre+LNG.JPG</image:loc>
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      <image:caption>Field research at Woodfibre, an abandoned pulp mill and the site of the proposed LNG mega-tanker terminal, Átl’ka7tsem (Howe Sound), Skwxwú7mesh Territory, 2020</image:caption>
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      <image:caption>Letters to Water, Interactive Installation documentation, Salt-Stained Streaks of a Worthwhile Grief – Fathom Sounds Collective, Comox Valley Art Gallery, 2022 Alana Bartol, Forgetting Fields II, 2022, video, 40:13. Photo: Alun Macanulty.</image:caption>
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      <image:caption>Field research in Átl’ka7tsem (Howe Sound), Skwxwú7mesh Territory, 2020</image:caption>
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      <image:caption>Salt-Stained Streaks of a Worthwhile Grief, Installation View, Fathom Sounds Collective, Comox Valley Art Gallery, 2022, Photo: Alun Macanulty</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/1633048782339-DKI4JAJZH1ILUCAW771E/_DSC0342.JPG</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Field research at Woodfibre, an abandoned pulp mill and the site of the proposed LNG mega-tanker terminal, Átl’ka7tsem (Howe Sound), a fjord in Skwxwú7mesh Territory, 2020</image:caption>
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      <image:caption>Alana Bartol and Genevieve Robertson, Letters to Water, Salt-Stained Streaks of a Worthwhile Grief, Comox Valley Art Gallery, 2022. Photo: Angela Somerset</image:caption>
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      <image:caption>Salt-Stained Streaks of a Worthwhile Grief, Outdoor Installation View, Fathom Sounds Collective, Comox Valley Art Gallery, 2022, Photo: Alun Macanulty</image:caption>
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      <image:title>projects - Make it stand out</image:title>
      <image:caption>Salt-Stained Streaks of a Worthwhile Grief, Installation View, Fathom Sounds Collective, Comox Valley Art Gallery, 2022, Photo: Alun Macanulty</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/db05ca53-78f9-4ed5-8104-eb9efdcc547a/slope_03.jpg</image:loc>
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      <image:caption>Field documentation, video still, Duhamel Creek wildfire site, lower access point, early spring 2023</image:caption>
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      <image:caption>Field documentation, digital photograph, Duhamel Creek wildfire site, first switchback, spring 2024</image:caption>
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      <image:caption>Field documentation, video still, Duhamel Creek Fire, lower access point, fall 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/8331b77f-9f8b-40b2-9d49-2ba68351af52/slope_01.jpg</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Field documentation, video still, Duhamel Creek fire, lower access point, fall 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/239b28d0-4010-46ed-b795-b434ff4e7173/slope_06.png</image:loc>
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      <image:caption>Field documentation, video still, Duhamel Creek wildfire site, second switchback, summer 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/976602ce-0c0a-4377-afa9-f1d6f5fe297c/slope_07.png</image:loc>
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      <image:caption>Field documentation of fireweed seed dispersal, video still, Duhamel Creek wildfire site, second switchback, summer 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/f9dafb32-361e-41c9-8f65-4af541f26647/slope_04.JPG</image:loc>
      <image:title>projects - Make it stand out</image:title>
      <image:caption>Field documentation, digital photograph, Duhamel Creek wildfire site, lower access point, fall 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55a3e169e4b0356b591411b2/5f14f53f-6428-40f8-bfc3-98c56a8e9d43/rainbowjordan_03.jpg</image:loc>
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      <image:caption>Crossing Revelstoke Reservoir, September 2024</image:caption>
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      <image:caption>Image credit: biologist Amber Peters</image:caption>
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